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Joker

12ozProphet Original
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Everything posted by Joker

  1. @Aristo- Yeah, I understand what you're saying. When you lean your letters to the left it definitely creates a struggle for some letters. I've seen a lot of folks lean their letter the opposite direction but it doesn't always work. Anyway, here's a few options to consider tinkering with...
  2. Yeah, i was coming in here to post about the Capitol Hill officer suicides. Especially as the investigation picked up? A little suspect if you ask me... which you weren't, but whatevs.
  3. Uh... do you have any idea how many writers out there write "Joker"? No? Well, let me tell you... it's a lot. Like, a lot. I mean, there's a "Joker" in every major city, often several. So while you and a guy in German may have similar names, he's in Germany and already a well-stablished writer with his own style. If you were to add an S to your name and start biting him... that could be a problem. But you and I both know you're not going to do that because that's dumb. And more importantly - the peer pressure and shit talking you'd get on this board would be so overwhelming that you'd stop. Technically, you should have a unique name. This is an unwritten "rule" from the early days of writing when you were up against a few thousand other names in one city. Now that the culture has been made popular worldwide for the last four decades having the same name or a similar name as someone else is common, and to be expected. So long answer short - no, it doesn't matter. What you do with your name is what matters.
  4. Pretty sure I've read several sci-fi books that start out with basically this same story. Super-rich guys build reliable options for somewhat rich folks to live off-planet, so they can escape a dying world and leave poor scavengers behind. Now that they're in space living in luxury they find they still need common-folk to do the dirty work, so they hire earthlings at crappy wages... and that's when "things" happen.
  5. Joker

    bicicletas

    If you're good a maths - https://www.parktool.com/blog/repair-help/chain-length-sizing - scroll down to item #6 Or use a chain length calculator - http://www.machinehead-software.co.uk/bike/chain_length/chainlengthcalc.html
  6. First, it's good to see you pushing yourself into a direction. Compared to the last pieces you posted a while back, these feel different, and a step forward. That said... Looking at them I'm reminded of an old "electric" font, where each letter looks like it's got 220v coursing through its veins. I agree with what's been said already... too many arrows, which is to be expected from someone still learning. Personally, of the six outlines, if you too the A from the 5th sketch and replaced the A in the 6th sketch... I'd grade that outline a C-. The biggest critique, honestly, is that your pieces have little to zero flow to them. It's as if you drew each letter individually, cut them out, and then glued them together with no thought to how they'd connect or flow into each other. If you're sketching letters individually to learn them that's great, but when you start bringing them together you have to consider how each one rests next to each other. Ideally each letter should feel like it's getting a hug from the letter beside it. They should all fall into place like pieces of a puzzle. Does that make sense? Here's a writer with your same name (well, RAYS)... look how smoothly one letter flows into the next one. Even though the R and A are at odds with each other, like two mountains butting heads, it still works because of everything else going on in that section of the piece. The two letters still work nicely together.
  7. The flow on this one is decent, not bad really. The swath coming off the left of the R is... okay... but could be better. The small O is way too small. I get what you're doing but I think it's too small. The swath coming off the top of the P isn't too bad, but I wonder if it could be more part of the E instead of going past it. I mention this because the piece is unbalanced - too heavy on the right - so if the swath came back a little more and felt part of the E it might balance out the entire piece. I see nothing wrong with this one. The E is slightly bigger than the other letters, which is a wee-bit odd, but I think overall this is a nice, simple piece. Well done! Another nice one. The only call-out I have is the loop of the R feels mushed. I think if you moved the R to the left a little bit, and opened up the loop a little more so it felt the same as the P, this would feel just that little bit better. It would also let the O see some daylight as it's crammed between the R and P. I'd like to see the bar of the R go behind the vertical, and the bar of the P that connects to the E loop around to the end. I get what you were going for with all the letters having the same top, but it feels forced when you get to the E. See my edit below. Overall, nice job! And I'm sorry it took me so damn long to get to it.
  8. Sorry for the delay... been a real busy couple of weeks at work. I'll respond properly this week, hopefully.
  9. https://news.artnet.com/art-world/elon-musk-graffiti-art-tesla-factory-berlin-1973747
  10. The second Rope sketch is pretty nice. I like the open connections between letters but I would adjust them slightly as noted in the image below. Add some dimension to the O so the letter is a little more defined, and add a little more definition to the connection of the P and E. That connection wasn't really bad, it's just how I personally would connect them. As for the arrow sketches... I think your cuz needs to calm down. Damn, those are a lot of arrows, you could take all the arrows from those pieces and add them to five, maybe six more pieces. Here's my take on arrows for pieces: I was always told that arrows on pieces were a form of battle armor, a way to protect your piece from the pieces to the left and right of you. Not sure if that is the intended purpose of arrows being used in the early 70s and 80s New York subway Graffiti, but nonetheless it's what I was given as an explanation. Typically arrows are used to show motion or direction - think wayfinding out on the road or in a hospital, for example. Arrow Sketch One - Really, the only one that "feels" like it works is the one coming off the left side of the R. I get what you were going for trying to mirror it on the E, but I feel like that would have been more successful had you done it coming off the bottom bar of the E, and it was flipped vertically - so the arrow winds its way upward and to the right instead of downward and to the right. Arrow Sketch Two - for the most part it's not that bad, except for the arrows coming off the bottom of all letters, and the tops of the O and P. There's just a lot to take in. It looks like you drew your piece and someone egged you on to keep adding arrows Arrow Sketch Three - The flow of the arrows isn't all that bad, and again... kinda like the R, but there's just way too many. Instead of adding every arrow you own into each letter, focus on just the R and E. Keep it simple for the time being by using only one or two arrows.
  11. Yeah, not sure if you're just sharing or looking for feedback/help, but when there's that much in one post it's hard for me to give feedback. And yes, using a pen is a commitment. You've got to really know your strengths and weaknesses, and you've got to heave a great knowledge of letter structure and flow. I'm always in awe of folks who draw dynamic pieces, sometimes even complicated, using just pen. It's impressive. I'm personally a pencil person because often by the time I get to the last letter I think of something better for the first letter.
  12. @squigbert- Does that say BOXTR? Curious what the letters look like without the 3D.
  13. @misteraven @abrasivesaint I do appreciate throwing my name into the hat but life- mostly work - is too hectic for me to spend as much time in here as I'd like to. I can certainly keep my eyes open for shenanigans but I cannot be a regular, unfortunately. At least not for any solid length of time at the moment. Hopefully once the world get's its shit together and brands want to get back to spending money on retail experiences I can hire some designers to help me and in turn give myself a break. I'll continue to do my best to keep the Toys Post Here thread alive with good content, and keep the posts civil.
  14. Agreed. I worked with one guy who would take several smoke breaks an hour, sometimes for 20 minutes, and when I made a joke to him about it in a large group lunch (though I was being somewhat serious) he got super-defensive and claimed he was working from his phone. Right... you're using Photoshop/Illustrator/InDesign from your phone, got it. And then several others in the group jumped on the pile and gave him shit about his defense. It eventually turned into a "non-smokers are crybabies" argument, at which point he lost all credibility.
  15. I never noticed this issue until I started working as a designer. I think the lax working environment makes it easy for folks with kids to come in late, head out early, or run that two hour errand. It's just a "thing"... I guess. Most of the time it doesn't bother me (as someone without children) but there have been a few times where the person who left or came in late really needed to be there and that was very, very annoying. In all honesty I have a bigger issue with coworkers who have to go out for a 10 minute smoke break every 30 to 45 minutes. Then come back in reeking of cigarettes and come up to my desk and want to go over a project? Fuck off with that....
  16. @KaneVCB- They are pages from a book called - Flip the Script: A Guidebook for Aspiring Vandals & Typographers. It's an incredible book because it covers handstyles from all major cities, and includes examples by some of the best from each region. Also, Handselecta (folks who put the book together) have a YouTube channel with a ton of videos that show folks writing their name. Great way to see how some of these handstyles are done. I had no idea the book was worth so much. I guess I better put mine in a display case.
  17. @nachodik- Sorry it's taken me so long to get back to you. The sketches - personally I think they all look pretty good. I especially like the bottom three sketches... Wort, Rope, and Wort. The filled-in Wort w/ 3D is great! And the Rope sketch, way you leaned the left side of the E into the empty space of the P... very nice. The very top Poteb is pretty nice, too. The other sketches aren't bad, but those four are the stand-outs, for me. Wild-Style - tough question because any mentor/teacher is going to tell you it takes baby steps to get there, and my advice is really no different. The filled-in Wort sketch above, for example, if you wanted to start messing with that by dissecting each letter, adding arrows and flares, little notches (like you did on the W and O, for example), and bits here and there is a place to start. To make it easy on yourself, and to keep focused, concentrate on one letter at a time. Take the W and see what you could. Start small, adding one or two things, see how it looks, then add another, see if it still feels right, and finally add a finishing touches. Check this image by Meas as an example of single letter studies. It's a great way to work out ideas before going all in on an entire piece. Tags - I'll get back to you on this later but first impressions is I love that you're exploring different styles. The second one reads as RERE, so the one-liner needs some further exploration. But I'll get back to you some ideas.
  18. They're definitely different than Mormons, but continuously get mistaken for them. Probably because of the door-to-door proselytizing the two religions do. I've read a few online horror stories about JWs but in the 25 years I've been around them, lots of them (even going to their HQ buildings in New York), I've never met an asshole. Doesn't mean there isn't any, I just haven't met any. Really nice people, very respectful. BTW, if they knock on your door and you don't want them to just kindly tell them to take your address off their list and they'll never, ever come back. Or tell them a good joke. They love jokes, especially about JWs. Not kidding.
  19. Once I've had my tea, sure.
  20. This is really all I'm getting at. Seems to me that anyone who is an atheist, even agnostic, is not going to be swayed into believing in God or creation based on the confidence of a young woman waving a lollipop around. I'm married to a Jehovah's Witness, have been for 25 years. She grew up that way, her entire family is, most of her friends are, I would never argue with any of them against their faith.
  21. Rack a container of shoe polish from your local drug store, discard the shoe polish liquid and clean the container out. Then, fill the empty container with Krink. Presto!
  22. Five pages. Five pages debating this tired argument. You believe in God and creation? Hooray!! You go and do your thing. You believe in the Big Bang thing? Yippee for you!! You go and do your thing. I cannot figure out why this argument continues to pop up when the outcome is always... always the same. You believe, you debated, but didn't change the non-believer's mind - or - you don't believe, you debated, but didn't change the believer's mind. Instead you spent five pages having the same argument with no outcome. Check back here in ten years for the same thread to be started with the same argument, same outcome. God is what you want God to be, real or not. God is either creation to you, or a character in Family Guy. You either believe in God or you don't. End of conversation. Right? I cannot understand why this is so hard.
  23. LULZ, the cattle calling the cattle cattle is funny, for sure. And using "ImperatorTruth" as your handle... with a pirate emoticon and emoji... GTFOH. But yeah, that tattoo is silly.
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