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Roach has never rocked an orig. style in hes life. Chomping american styles then switching straight over to wacked out eurostyles with no evoluton.. He is also behind all those toy exhibitions, promoting a bunch of toys that are just as soft as him. Fingr and comfy are in big troub anyways. Disprefctful toys shouldnt be dropping tags on the comisshos at redfern lads. thatll catch up wif yous...

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Roach has never rocked an orig. style in hes life. Chomping american styles then switching straight over to wacked out eurostyles with no evoluton.. He is also behind all those toy exhibitions, promoting a bunch of toys that are just as soft as him. Fingr and comfy are in big troub anyways. Disprefctful toys shouldnt be dropping tags on the comisshos at redfern lads. thatll catch up wif yous...

 

 

quite a career he has had

 

100 x other peoples styles

2 or so quick panels

minimal bombing

100, 000 gallery appearances

t shirt features

and an ego that only Mundeen could challenge

 

at least we have provided him with the a theme for his next wall, when as usual he takes the moral high ground against those who tell it like it is.

 

I would have thought someone who has studied art and design would have known the difference between referencing/influence over direct biting. Painting with the person does not make it right..and to think that he is put on a pedal stool. Then again, we do live in a time where a guy like Cekios is held in high regard.

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quite a career he has had

 

100 x other peoples styles

2 or so quick panels

minimal bombing

100, 000 gallery appearances

t shirt features

and an ego that only Mundeen could challenge

 

at least we have provided him with the a theme for his next wall, when as usual he takes the moral high ground against those who tell it like it is.

 

I would have thought someone who has studied art and design would have known the difference between referencing/influence over direct biting. Painting with the person does not make it right..and to think that he is put on a pedal stool. Then again, we do live in a time where a guy like Cekios is held in high regard.

 

*Pedestal* just for clarity

 

good points though

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quite a career he has had

 

100 x other peoples styles

2 or so quick panels

minimal bombing

100, 000 gallery appearances

t shirt features

and an ego that only Mundeen could challenge

 

at least we have provided him with the a theme for his next wall, when as usual he takes the moral high ground against those who tell it like it is.

 

I would have thought someone who has studied art and design would have known the difference between referencing/influence over direct biting. Painting with the person does not make it right..and to think that he is put on a pedal stool. Then again, we do live in a time where a guy like Cekios is held in high regard.

mundine's ego isnt that big

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Several mornings a week for the next 35 years, Arthur would leave his wife, Pearl and their home in Bulwarra Road,

Pyrmont around 5am to go around the streets of Sydney and chalk the word « Eternity » on footpaths, train station

entrances and anywhere else he could think of. It is estimated that he wrote the word around 500,000 times over

the 35 years. Workers arriving in the city would see the word freshly written, but not the writer, and so, « The man

who writes Eternity » became a legend in Sydney. The mystery was solved when Reverend Lisle M. Thompson,

who preached at the church where Arthur worked as a cleaner, saw him take a piece of chalk from his pocket and

write the word on the footpath. Thompson wrote about Stace’s life and an interview was published in the Sydney

Sunday Telegraph on 21 June 1956.

 

http://louerchezsoi.wordpress.com/2011/01/05/eternity-and-arthur-stace-1884-1967-to-2000-new-year-sydney-celebration/

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Eternity

Exhibition dates: Tue 12 to Sat 23 February 2013

View the artworks

 

Without a beginning or end, infinite or unending time, in this group exhibition artists respond to the concept of eternity.

 

ETERNITY also evokes the contribution MARTIN SHARP has made in shaping the visual language of Sydney.

 

ETERNITY is a tribute to this great living Australian artist, as well as acknowledging Arthur Stace, one of Australia’s first street artists whose elegant copperplate chalk wording, ETERNITY, was a feature of the city’s footpaths for decades.

 

 

http://damienmintongallery.com.au/artists/eternity

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