Spoter Posted March 11, 2002 Share Posted March 11, 2002 Originally posted by scallawag nobody cares what foreigners have to say why don't you go bite him like you usually like to do, fag. Link to comment Share on other sites More sharing options...
Guest Can you sign my book??? Posted March 11, 2002 Share Posted March 11, 2002 Not to take away from Chuck Close, but he also has I dont know how many people working for him mapping his paintings...Ive seen him cruisin around in SOHO in a wheelchair a few years back...Mr. Close Can you sign my book???Nah just kiddin.... Link to comment Share on other sites More sharing options...
dumpybottom Posted March 11, 2002 Share Posted March 11, 2002 yeah, giger artwork was included with a Dk album... they got involved in a huge lawsuit (that Tipper Gore was involved in) because the giger drawing had penises or something and they claimed DK was selling porn to minors... alas, i don't have a picture of it Originally posted by TrustKnowOne wasn't that DK artwork on a poster included with the album frankenchrist and not really on the album cover, which had a photo of shriners riding around in toy cars as i recall. i think after DK was forced to stop including the poster with the album, they went ahead and included a coupon you could mail in and get the poster free. I would love to see it posted if anyone has it Link to comment Share on other sites More sharing options...
Harpo Marx Posted March 11, 2002 Share Posted March 11, 2002 Yeah, Biafra got waken (woken?) up one night to a bunch of cops with a search warrant lookin through all of his stuff because of that. Land of the free, eh? Link to comment Share on other sites More sharing options...
Harpo Marx Posted March 11, 2002 Share Posted March 11, 2002 from www.alternativetentacles.com Rumors had it that an LP to be called Cancer Cures Everything was coming soon , but after a long hiatus, the Frankenchrist album was released,. Considered by Biafra to be the DKs shining moment ( although fans don't usually agree), Frankenchrist was the LP that got the band in the biggest trouble of its career. It wasn't the music however, that got the band in hot water( and with songs like "MTV get off the air" and "Stars and Stripes of Corruption," the music wasn't certainly endearing the band to everybody in the world), it was a poster that was included free with the album. Biafra stumbled upon a reproduction of a painting by European artist H.R. Giger titled "Landscape No. 20: Where We Are Coming From." The painting, which features dismembered, ugly genitals copulating in what looks like sludge, had been reproduced in many books and magazines over the years, and Biafra secured the rights to include it as part of the Frankenchrist package. About the painting, Biafra says "I began to realize, 'My god, we have met the enemy and it is us, this is what we do to each other every day in consumer-oriented society. Wait a minute, this is what we're talking about on a lot of the Frankenchrist songs.' I thought the Giger painting would be a great way to drive home the point, even if some people in high positions of power with no sense of humor didn't seem to understand." Originally, the painting was meant to be the gatefold inner cover for Frankenchrist, but a member of DKs vehemently objected and it was instead inserted into the album as a poster. Although the poster was expected to raise some eyebrows, no one expected it to cause as much trouble as it did. A warning sticker, albeit a sarcastic one, was affixed to the cover, partially to parody the warning stickers that the Parents Music Resource Center (PMRC) was demanding at the time, partially to cover themselves in case there was difficulty. The sticker read : "WARNING : The inside fold out to this record cover is a work of art by H.R. Giger that some people may find shocking, repulsive or offensive. Life can sometimes be that way." When a San Fernando Valley mother complained that her 13- year old daughter had purchased the record as a gift for her 11-year old brother (at a Wherehouse Records outlet in a large mall), the LA City Attorney's Office decided to prosecute the case. Deputy city attorney Michael Guarino, the prosecutor in the case, admitted they chose to prosecute the DKs because it would be a "cost-effective" way to send a message to other musicians, record companies and fans. Guarino had been considering prosecuting several other groups when this case came along, and he thought he could win this one. The first Biafra heard of all this was when he was awakened from his sleep one morning by the sound of his window being broken and several police officers invading his house, supposedly to seize the "evidence." ( No one bothered to knock.) They took numerous personal effects, including his address book, as well as a few copies of Frankenchrist and the business ledgers of Alternative Tentacles, making it impossible to conduct business for a while. Charged in the case were Biafra, and four others, including the 67-year old man whose company pressed the Frankenchrist disc. Conspicuously not charged were Wherehouse Records which sold the offending album. They had agreed to stop selling Frankenchrist and all other Dead Kennedys albums when the controversy first surfaced. Biafra and the others decided to fight the charges of distributing harmful matter to minors, and set up the No More Censorship Defense Fund, which along with helping with the legal fees in the Frankenchrist case, makes available copies of articles dealing with censorship and plans to help others who are being harassed. Contributions came in mostly from fans of alternative music; envelopes of teenager's allowance and an encouraging note were common. Not so common were contributions from those popular figures who stood to suffer if Biafra lost the case. Three notable figures who did come to Biafra's aid were Frank Zappa, Little Steven Van Zandt and Paul Kantner. Although Tipper Gore's PMRC did not claim credit for the case, they certainly approved of it, and it was their talk of rating records that led to the pro-censorship climate of the mid and late 1980's. ( Of course, they are very loath to call it censorship, even though several major record store chains had agreed to not to carry any record that contained a negative rating label.) The No More Censorship Defense Fund called for a boycott of Coors beer and other companies that financed the PMRC, and chronicled their activities in the newsletters inserted in DKs albums. Finally, after months of delay, during which Biafra's time was taxed enough that he had no time to work on his music, the case went to trial. After a week-long trial in which witnesses such as Greil Marcus testified on the group's behalf, and a respected art teacher attempted to show how the poster was an integral part of the Frankenchrist package, the jury came out deadlocked (7-5 in favor of acquittal), and the judge dismissed the case. Ironically, the painting which stirred up all the controversy had been printed in several books which could be found in libraries all across the U.S., all published without incident. Giger is a highly respected artist who had even won an academy award ( for his Alien set design), and found all the controversy very strange. Link to comment Share on other sites More sharing options...
Guest Merdle Posted March 11, 2002 Share Posted March 11, 2002 this stuff is absolutly amazing. I love chuck close. You should post the dimensions of some of those peices you posted by him....The size of some of his work is incredible.. And I love jello biafra!!!!:P Link to comment Share on other sites More sharing options...
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