Poop Man Bob

Where the hell did you run off to?

I know you're just bad-touching while looking at my pages. They're erotic, eh?!

ilovedrunk http://www.12ozprophet.com/ubb/icons/icon26.gif'> Steve - is the Polaroid still with you?

http://www.livejournal.com/users/plrd_passaround/

I love b/w Holga shots. The woman who will be photographing my wedding uses a Holga, and both my woman and I thought it looked great. Here's her website, if you're interested in seeing her work.

Scariest gif ever.

Velociraptor?

A reminder! September 20! A reminder! September 20! The list running - [a picture taken while you are running] perveract - [candid girlie shot (i.e., where they don't know you're taking the picture!)] instant funk - [a true flick with a photoshop addition] pinup - [12oz frenchie] tunnel rat - [tunnel picture] sleep green food dawn cemetery surprise funk Rules and Regulations Film or digital (or both!) is fine. New or old photographs are accepted - although most people have found it more challenging and fun to go out and take 12 new photographs for the project especially. Basic editing (cropping etc.) is allowed. Your items are supposed to be photographs, not digital manipulations so don't go nuts in Photoshop [except for the instant funk category, obviously]. Present your photos in any way you please that means you, coders!. DO NOT POST YOUR PICTURES NOW. WAIT UNTIL MONDAY, SEPTEMBER 20. I will be creating a new thread on Monday, September 20. You will be able to post your entry then. Spend from now until the 20th taking all of your pictures. +++++++++++++++++++ Not sure what the hell I'm talking about? Basically, twelve categories are listed, and you post one picture for each category. These are pictures that you have taken. We've done three installments of 12.things, an online photo scavenger hunt. The previous versions of 12.things are here: Part 1; Part 2; Part 3.

Fuck yeah!! Congrats, homes. Great pictures, too.

ese, numba one stunna.

WEEEEEEEEEEEEEE!

Hot damn, Clayton. You're destroying this page. What kind of camera do you use?

http://img.photobucket.com/albums/1003/fatdave/12oz/2004-08-19037.jpg'> http://img.photobucket.com/albums/1003/fatdave/12oz/2004-08-19022.jpg'> http://img.photobucket.com/albums/1003/fatdave/12oz/2004-08-19019.jpg'> http://img.photobucket.com/albums/1003/fatdave/12oz/2004-08-19018.jpg'> http://img.photobucket.com/albums/1003/fatdave/12oz/2004-08-19017.jpg'>

You're a robot. You never sleep.

We can blame fetaface for that.

Assuming ilovedrunk gets the package out tomorrow, that'll be a 7-day turnaround for two people on the list. Not too shabby.

re: 12.things Well, I was considering doing another a few weeks ago, but the response from the last one was so lame that I decided against it. I think only 3 or 4 people added their pictures after me. But if there's interest in doing another, I'd love to. The only problem (from my point of view) is that I have to have all of the pictures completed by a set date, whereas everyone else usually starts their pictures then ... and then never finish and post. I posted a thread about it.

He won the 1954 Masters and has not taken off his green jacket since.

Bump for the arrival of the POLAROID PASSAROUND. ilovedrunk and I will collaborate and move it along to SteveAustin. Steve - check your email (scientist).

More pictures from the NY Times. Urban porches. http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide12.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide01.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide02.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide03.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide06.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide07.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide08.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide09.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide10.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide11.jpg'> http://graphics7.nytimes.com/images/2004/08/14/nyregion/15fire_slide13.jpg'>

www.cornerstonegardens.com http://graphics7.nytimes.com/images/2004/08/12/arts/HALL.slideone.jpg'> LUE TREE — CLAUDE CORMIER The Montreal landscape designer Claude Cormier is infatuated with color and the idea of artificiality — past projects have included a painted blue lawn at the Canadian Center for Architecture and a "Lipstick Forest" winter garden of 52 pink tree trunks made of concrete. In "Blue Tree," he intended to camouflage a solitary Monterey pine by covering its gnarled branches with 80,000 sky-blue Christmas ornaments; when viewed against a blue sky, the tree's form would disappear. In fact, the balls caused the tree to stand out no matter what the weather, and it now makes an arresting silhouette against a backdrop of vineyards and hills. But Mr. Cormier is after more than shock value. The tree advances his argument that landscape architecture, even at its most naturalistic, essentially transforms nature into artifice, and that accepting this opens the mind to the extraordinary. http://graphics7.nytimes.com/images/2004/08/12/arts/HALL.slidetwo.jpg'> EUCALYPTUS SOLILOQUY — WALTER HOOD Walter Hood, the Oakland, Calif., designer and Berkeley professor, is known for his inner-city projects, but in his Cornerstone garden he incorporated materials normally thought of as urban to create a work of pastoral poetry. In "Eucalyptus Soliloquy," 12-foot-tall screens of rusted steel posts and metal mesh that would look at home in any squalid housing project instead hold a richly textured patchwork of fallen leaves, branches, acorns and curls of bark from a single eucalyptus species. The connection with the surrounding landscape is direct — one of Sonoma's many eucalyptus groves lies just beyond the garden, shading a tumbledown house. But the proximity of living trees also gives the installation of dried remnants a contemplative, almost elegiac air, making it a sort of horticultural memento mori. http://graphics7.nytimes.com/images/2004/08/12/arts/HALL.slidethree.jpg'> BREAK OUT — TOM LEADER Mr. Leader, who worked with Peter Walker for 16 years before opening his own Berkeley studio in 2001, says his garden "draws on the vernacular culture of rural California" and "is about barnyards, porches and Johnny Cash." He puts a maze of 35 beat-up, swinging screen doors inside massive hay-bale walls. Tiny speakers broadcast the zap and pop of flies being caught in an electric bug trap, as well as distorted fragments of Cash singing "Ring of Fire." A black refrigerator holds cold drinks for those who negotiate the maze, along with fried chicken dinners and other "food for Johnny." The installation taps into the past of anyone who grew up with the smell of hay and the sound of screen doors creaking open and slapping shut, and still evokes a feeling of nostalgia in those who didn't. http://graphics7.nytimes.com/images/2004/08/12/arts/HALL.slidefour.jpg'> [NINNANANNA] A LULLABY GARDEN — ANDY CAO In a previous evocation of his native Vietnam, his 1998 "Glass Garden" in Los Angeles, Andy Cao used glass pebbles — 45 tons of them. "[Ninnananna] A Lullaby Garden," his Cornerstone entry, uses almost no glass, and yet the garden has a glasslike quality thanks to miles of glistening nylon monofilament that was hand-knit into carpets by 60 Vietnamese villagers working for three months. The carpets, in tones of faded gold and orange, are draped over a wildly undulating sculptured landform that descends at one point into a midnight blue vortex, from which the sounds of a Vietnamese lullaby emanate. Removing your shoes and wandering over Mr. Cao's dreamlike landscape plays with the mind's sense of proportion — you feel like Gulliver striding across the Land of Lilliput. http://graphics7.nytimes.com/images/2004/08/12/arts/HALL.slidefive.jpg'> A SMALL TRIBUTE TO IMMIGRANT WORKERS — MARIO SCHJETNAN The Mexico City architect and landscape designer Mario Schjetnan sees his installation as a microcosm of California: a garden maintained by Mexican immigrants. "A Small Tribute to Immigrant Workers" mixes politics and aesthetics, the symbolic and the literal. Three walls divide space but also stand as symbols — rusty metal for the United States-Mexican border, red-painted plywood for people who crossed the border illegally and those who died trying, and stones seeping water for the immigrants' strength and tears. Scattered throughout are photos and stories of workers, including those who built the installation, as well as a shrine to the Virgin of Guadalupe and other mementos of Mexico. Fruits and vegetables grow in raised wooden beds, and a placard invites those who enter to water, prune and weed. NYT article.

I'll obviously holler when it arrives.

Get on the Instant Messenger of America Online.

Send that shit.

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