serum

the big drug in japan is meth and more recently ecstacy coke is 300 an 8th

anywhere from $50-$100 a gram for high quality stuff dirt weed is free in the mountains

lecter i too have faith that some japanese director will pull through. takeshi i believe is finished directing. he mentioned retiring but they all say that. his films are good for one time through but i dont think i could watch any of them twice within a one year period.

im so disappointed in new japanese films. i only watch older stuff. out of 100 films like maybe 3 are good and thats pushing it. japan is so desperate for better films that they are even considering bringing in westerners to make their films for them.

hey koh check out http://www.belx2.com

i'm into the first toxic avenger as well as the class of nukem high but its not for everyone.

i dont know if anyone posted this one yet but i just got done watching paradise now. very tight palestinian film about a suicide bomber. reminded me of old italian films.

but i loved the part with the lucky machete.

thats my man reveal from LA

you have no reading comprehension. where did i say you didnt bomb in front of the cameras? im not mad at you i just think you're a tad lame,

first off i didnt even comment about your pics let alone say that you were in the wrong. i was backing up the point roler was making about how everything in this thread is mainly tags and stickers. i feel people should be out there putting in work and getting their skills up to par. when you can roll up to a wall in the daytime and do full color burners it seems this is a littler more hardcore than bombing a place that is so easy to get over in. dont try and school me on osaka or the kansai area i been painting osaka before you were even out of highschool. amemura! who gives a fuck about amemura? thats like a venice beach legal wall. that whole area could fall off the map completely and i wouldnt give 2 shits. you know osaka is a little bigger than a four block radius. cameras? and who the hell is watching some damn cameras at night? ive never even seen a cop in the koban at night. kill the streets? it japan yo, thats like yelling rape the 2 year old. some new jack comes to japan and tries to act like he knows...

japan is so easy to bomb. you have to realise the man speaks the truth. there are so many nice spots in japan to paint why just bomb? me and roler have painted illegal productions in the open in broad day light on numerous occasions. not some spot under a rock behind a cave but broad day light spots where police have even seen us and just signaled to us to move along. places like ny chicago where the buff comes in less than a few hours creates more of a bombing culture but in japan where you can piece a track side and have it stay up for 3 years its seems kinda lame to just bomb. i have roler pictures but he doesnt want them posted. "real giants move in silence" hell no. want is decent but not really a piecer.

wicked city Tsui Hark co-produced and co-wrote this live action adaptation of the Japanese Manga The Wicked City. Previously also an animated Japanese feature, the comic book aspects are brought to life in a way only Hong Kong cinema could, in 1992. Tsui Hark can inject his productions with genuine thought but he suitably retains cheesy aspects of comic strips in general here instead. It means that characterization is kept simple, visual style is extreme and, for this particular comic book adaptation, the special effects mayhem is high. The Wicked City won't be remembered for its drama though, even if proceedings and the theme of humanity lost is handled straight. No, this is a showcase for Hong Kong filmmakers knowledge of how to use their limited special effects resources to delivery energetic images. The Wicked City being a prime example and the physical effects are pulled off with an admirable, cheesy style that greatly entertains. Being the trendsetter that Tsui Hark is (even when producing), a fair amount of CGI is also employed throughout, which obviously is crude because it wasn't an aspect that Hong Kong cinema fully took to heart until the latter half of the 90s with movies like Stormriders (directed by the co-cinematographer on this film, Andrew Lau). theres a part two which is called wicked city 2 : 666 satan returns but the title is much more kick ass than the actual sequal. it has nothing to do with the original but that happens alot in hk cinema

theres a live version of wicked city thats pretty tight as well. just look for the uncut version.

i just watched wassup rockers. i liked it. i think larry clark is a retard but the kids in here held my attention. if i was reincarnated as an el salvadorian youth it would be me. long hair, tight pants, punk rock, just skating all day except with a matt hensley deck and causing alot more trouble.

although i don't like zen personally heres a video of his. wtf is a killer killer fantastic bomb anyways? part 2 various artists

yeah that n korean documentary looks good. i want to see just how long those people practised. when you have no food and all the time in the world its amazing what humans can do.

too bad i dont need any sunglasses to see through bush's ugly ass mug

thanks casek. i used to have peer guardian but it slowed my shit down too much. then i eventually got a shit load of spyware because of the peer guardian. they dont have wireless networks out here yet and i dont have any choice of internet providers either. so if my shit gets cancelled again i'm back to an isdn line :shakehead:

any of you guys ever get a notice from your internet provider stating that you need to cease downloading/uploading torrents or get your line cut? I did. and didn't listen and then about 2 months later i'm guessing they got a letter from the mpaa and my line was cut. i had to fill out a bunch of paper work just to get another line. is there a sure fire way of hiding your isp? i don't think you can. anyone heard of dark torrents? my boy told me that will be the next generation in ripping stuff. no isp available for the mpaa to see.

hey revise great work.

saw this today San Francisco cracks down on 20-million dollar graffiti problem Graffiti is a 20-million dollar nuisance in San Francisco, but now with the reluctant help of one of the city's most notorious graffiti artists the city is trying to crack down on the crime. (AP) http://mdn.mainichi-msn.co.jp/videos/news/20060824p2g00m0in011000c.html ^check link for video

just finished watching Edmond. really really dark comedy. kinda grim throughout the whole film. like watching someone fuck up continually. you never get to be comfortable with the main character. the ending is disturbing as well. i dont think i got the point so im going to have to watch it again. if you like chewing on glass i guess you should watch this.

fermentor (after rereading) sorry my bad. to clarify yeah descent was way better than the cave. i downloaded both at the same time and i was suprised at how similar they were. the cave wasted soo much money on ships and soldiers and just sucked, descent did a great job with the budget they had. all i know is that youre never going to get me in one of thoughs confined spaces climbing through shit as a weekend hobby.

the grizzly man a documentary about a pansy that goes out to the woods and thinks he can live with the bears. too funny to explain any further. im not going to ruin it but my favorite line is from a pilot that is asked about the main character. he is asked why dont you think the bears have killed him? and he responds "i dont know i mean they probably thought he was retarded or something and felt sorry for him." the descent >(cool movie poster)< i wasnt expecting much more than a low budget b movie and was pleasantly suprised. not like holy shit i got to buy the dvd good but more like hey this horror movie isnt that bad i might just chill and watch it type. i also watched the cave which is the exact same premise but way better. interesting for films buffs to compare the 2 and see how not to waste millions on dumb backstory and useless boats and props. survival island/ three 2005 again not awesome but more like descent, it passes the time without getting boring. a low budget film about a cruise ship that goes down and the only people on the island are an asshole millionaire, his wife, and the hispanic boat hand. they each try to get the wife to take the meat from only them. some weird voodoo crossover that makes no sense but all in all entertaining.