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You know when you get into a fight and later remember things you should have said?


Soup BDC
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to elaborate:

you=the type of fag who blames the world, cause aint nothing ever your own fault.

 

me= retry, repeat, experiment, asks for help when needed, gives props, smacks bamas, stands and delivers it.

 

porkchop= id fuck her

 

burn me already

^stop talking^

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Re: You know when you get into a fight and later remember things you should have said

 

Oh wait' date=' Fred-"Its not a college, its a university," Who's the pretentious fag0r?.[/quote']

 

Um how about still you? You seriously think if you ask someone "what faggot college they are attending" they are going to be all friendly vibes? That shit can only add to your faggot vibes.

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I called it gay for having dumbass conservate dipshits in the student body who would rather not oppose idiots in the administration and feel more confortable bending over.

 

You called it a college for faggots.

 

At least we're on the same page.

 

Photos coming this weekend. My boy was in Pamona getting ready for Art Center.

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ghostface2.jpg

 

Honestly, I'm glad you're a ghostface fan and all, but the quality of that picture is terrible. Same with the guy being arrested, those are so underexposed its ridiculous. I'm no art critic though and don't know very much about photography, so don't take me too seriously, let me know if I'm wrong. I do like the rest of your photos a whole lot. What kind of camera/lens are you using?

 

Oh, and Soup, that was pretty funny how you talked about the composition and all of his basketball photo. I think you really took what he said too literally..

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thanks

 

the one of the jumpouts was a bad exposure. the ghostface one is not, photobucket has a tendancy to fuck shit up when it resizes. some of those are negitive scans, and the files come out round 20-50mb, so resizing it for the web with out fucking them up can suck.

 

i use a 2002 rebel with the stock lens, nothing fancy, had a nikon d50, now the pigs got it. i dont get it back till after my trial.

film:

the jumpouts was fugi 1600

the rest are tmax400

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"you know both of you need to shut the fuck up when you're laying your pictures down like they were Magic cards" -Pinup

 

Anyway, you're good. I think that b ball shot is dope as hell, but you're also shooting with a rebel. My friend's digital rebel was the sickest cameras I've ever used. Those cuba shots and that balcony were with an A60. And with the exception of your b.ball shot, it's not composition or exposure that makes your photos good, it's the mixed-media feel of scanning in positive film. They're all also black and white, lets see you shoot in sepia or color even.

 

Anyway, I said I'd post the shots this weekend, meanwhile you're still down three if you've got more stuff I know I, and everyone else on 12oz wants to see em.

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Re: You know when you get into a fight and later remember things you should have said

 

thanks

 

the one of the jumpouts was a bad exposure. the ghostface one is not, photobucket has a tendancy to fuck shit up when it resizes. some of those are negitive scans, and the files come out round 20-50mb, so resizing it for the web with out fucking them up can suck.

 

i use a 2002 rebel with the stock lens, nothing fancy, had a nikon d50, now the pigs got it. i dont get it back till after my trial.

film:

the jumpouts was fugi 1600

the rest are tmax400

 

ah, that sucks, cause that ghostface picture is actually really good aside from that shitty noise. anyway, did you like the d50? I was thinking of getting one if I ever get a dslr. And question about it--you know how the rebel has the fstop right conveniently behind the shutter button? is it similar in the d50?

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well, i was fucking with a cannon dslr after class today, thing focuses faster than shit, the controls are nice and the quality is good to. only thing is, i want all that in a dslr that goes up to 3200 iso, and the majority of affordable nikon and cannon digital slr's only got up to 1600iso. the d50 has the ftop where the right thumb would go, so its still convienient. i would go with the digital rebel if i could do it over again, which i probally will. the majority of field photojournalists use cannon.

 

^blazzed^

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