Guest imported_sofarok Posted July 15, 2003 Share Posted July 15, 2003 Originally posted by Kilo7- ^ it really comes down to the nature of the cut. If it's a simple cut piece with little effect work, no compositing and no motion effects then you are fine, but otherwise you will hit kinks. Just for background sake, I'm running an Avid Unity network with 2 Symphony (v.4) suites, 4 MediaComposers (v.11) and a few xpress and xpressDV systems scattered around. We've taken projects from FinalCut and Media100 lists and have had issues with recreating things as simple as speed effects. The Symphony is the standard for television onlines and non-avid cutting systems just can guarantee a total conform (which saves a heap of time and money in the online). there is one product that can help all this. automatic duck uses the avid / digidesign standard OMFI system to offer total conforms from FCP. yeah i guess there might be edl issues if your your doing hi end stuff, most my expierience is non profesional/ student based. envious of all that gear, all i have to teach on is 5 matrox realtime premier machines, saying that for the level im teaching thats more than enough. what type of stuff do you produce? i have heard good things about Symphony but never had a play with it myself. Link to comment Share on other sites More sharing options...
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