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Al Green

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Guest Pilau Hands

The Amazings

 

1959 - July 27, 1959 - New York attorney William Shea announces the formation of a third major league, the Continental League, to begin play in 1961. One of the charter teams for the league would be placed in New York.

 

1960 - August 2, 1960 - The Continental League disbands on promises that four of its franchises would be accepted to the NL and AL as expansion franchises.

 

1961

- March 6, 1961 - The New York Metropolitan Baseball Club Inc., formally receives a certificate of membership from National League President Warren Giles. The Mets' name was judged by club owner Joan Payson as the one that best met five basic criteria:

1) It met public and press acceptance;

2) It was closely related to the team's corporate name (Metropolitan Baseball Club, Inc);

3) It was descriptive of the metropolitan area;

4) It had a brevity that delighted copy readers everywhere;

5) It had historical background referring to the Metropolitans of the 19th century American Association. Other names considered included Rebels, Skyliners, NYBs, Burros (for the five boroughs), Continentals, Avengers... as well as Jets and Islanders, names that would eventually find their way onto the New York sports scene.

May 8, 1961 - New York's National League club announces that the team nickname will be "Mets," a natural shortening of the corporate name ("New York Metropolitan Baseball Club, Inc.")

 

October 10, 1961 - In the first expansion draft in National League history, the Mets spend $1.8 million to draft 22 players at the Netherland-Hilton Hotel in Cincinnati.

 

October 28, 1961 - Ground is broken for Flushing Meadows Park.

 

November 16, 1961 - The circular Mets logo, designed by sports cartoonist Ray Gatto, was unveiled. It has gone virtually unchanged throughout the history of the club. The shape of the insignia, with its orange stitching, represents a baseball, and the bridge in the foreground symbolizes that the Mets, in bringing back the National League to New York, represent all five boroughs. It's not just a skyline in the background, but has a special meaning. At the left is a church spire, symbolic of Brooklyn, the borough of churches. The second building from the left is the Williamsburg Savings Bank, the tallest building in Brooklyn. Next is the Woolworth Building. After a general skyline view of midtown comes the Empire State Building. At the far right is the United Nations Building. The Mets' colors are Dodger blue and Giant orange, symbolic of the return of National League baseball to New York after the Dodgers and Giants moved to California. Blue and Orange are also the official colors of New York State.

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Guest chicken bone
Guest imported_sofarok
Originally posted by shani1985

i just dont get this tread

but thats just me

 

Theres nothing to get…just sit back and soak it all up

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WRITER'S VOCABULARY

 

3-D: Effect who render at the lettering a dimension in space.

 

All-CITY: When a writer or crew bombs all major subway lines.

 

B-BOY: Caricatural character representative a writer or a member of the Hip Hop movement.

 

BEEF: Disagreement or conflict.

 

BENCH: (n) Subway station where writers congregate and watch trains. Benching (v) The act of watching trains.

 

BITE: Plagiarism

 

BLOCK BUSTER: Wide lettered piece stretching from end to end done below window level on subway car.

 

BLOCK STYLE: Compat lettering style, simple and square.

 

BOMB: Prolific writing

 

BUFF: Removal of writing/art work.

 

THE BUFF: The MTA's graffiti removal program

 

BURN: 1. To out do the competition. 2. To ware out.

 

BURNER: A technically and stylistically well-executed wild style piece. Generally done in bright colors.

 

CAPS: (Fat, skinny, German thin) Interchangeable spray-can nozzles fitted to paint can to vary width of spray.

 

CHARACTER: Person, B-boy, etc...

 

CHROME: Piece entirely realized with the golg/chrome color for the fill-in.

 

CLEAN TRAIN: Current term for all New York City Subway cars. They are difficult to hit and rarely go into service with writing on them.

 

COAL MINE: Older IND and BMT (R1 -R9s) subway cars characterized by a unpainted brown dusty surface. Retired from service in 1976.

 

(EXTRA) CONTOUR : Exterior sur-contour of a piece.

 

CREW: Organized group of writers.

 

CROSSING OUT: To scribble or write on someone else's name. It is considered highly disrespectful.

 

DEF: Excellent (derived from definite and death).

 

DESIGNS: Polka dots, checkers stars swirls are placed over the fill-in to in hence and compliment fill-in . Designs are limited only by an artists imagination and technical ability.

 

DING DONG: Stainless-steel (R-46) subway car, so named for the bell that rings alerting passengers of closing doors.

 

DOPE: Excellent, of the highest order.

 

DOWN: Part of a group or action

 

DT: Plain cloths police officer or detective.

 

5-O: Slang for police. Derived form the television series Hawaii 5-O.

 

END 2 END: Panel or panels series covering a coach in all its length.

 

FADE: Graduation of colors.

 

FAMILIES: Rows of throw ups of the same name.

 

FILL-IN: The base colors of a piece, falling within the outline.

 

FLATS: Painted steel subway cars with flat surfaces. (The preferred subway cars of old school writers. During the 1970s the IRT division was composed exclusively of flats)

 

FLOATERS: Throw ups done on subway car panels at window level.

 

FLOP: A swollen lettering situated between the Tag and the Graffiti.

 

FREIGHTS: Railroad freight cars.

 

GETTING UP: When proliferation of name has led to high visibility.

 

GETTING OVER: Succeeding

 

G0ING OVER: Writing over another writers name. It is the ultimate act of disrespect.

 

HAND STYLE: Handwriting or tagging style.

 

HEAD BUFF SPOT:The portion of wall panels of the subway car interior above the seats located at passenger's head level. The mild though frequent abrasion from passengers heads eventually buffs (removes) tags on these locations.(It is an undesirable location to tag.)

 

HENRY SHOTS: Photographic technique developed by Henry Chalfant . The camera remains in one spot with automatic film advance while the subject (train) moves. The end result is a straight forward single image built from several frames providing more detail. Though the term is used infrequently the technique has become one of the standards for photo documentation of trains.

 

HIGH LIGHTS: White line between the Outline and the Fill-in, for the light effect.

 

HIT: (n) A tag, throw-up or piece (v) the act of writing.

 

INVENT: Shoplifting or stealing. This term was used prior to 1974. The contemporary term is RACK.

 

KILL: To bomb excessively.

 

KING: The most accomplished writer in a given category.

 

LAY-UP: A single or double track where trains are parked during off-peak hours. Both tunnel and elevated lay-ups exist.

 

LETTER LINES: The IND and BMT divisions of The New York City Subway

 

MARRIED COUPLE: Two subway cars permanently attached which share a motor. Identified by their consecutive numbers. These cars were desirable when art work on connected car was directly relevant.

 

MOTION TAGGING: Writing on subway cars while they are in service.

 

NUMBER LINES: The IRT division of The New York City Subway

 

NEW SCHOOL: Contemporary writing culture (post 1984).This date can vary greatly depending upon who you ask.

 

OLD SCHOOL: The writing culture prior to 1984. This date can vary greatly depending upon who you ask.

 

OUTLINE: The skeleton or frame work of a piece FINAL

 

(FINAL) OUTLINE: After fill-in and designs have been applied the outline is re executed to define the letters.

 

PANEL PIECE: A painting below the windows and between the doors of a subway car.

 

PIECE: A writer's painting, short for masterpiece.

 

PIECING: The execution of a piece.

 

PIECE BOOK OR BLACK BOOK: A writer's sketch book. Used for personal art development and or the collection of other artists work.

 

PRODUCTION: Large scale murals with detailed pieces and illustrations. (Contemporary term used mainly for street murals.)

 

PULL IN - PULL OUT: This is essentially a five to fifteen minute layup. At the end of some subway routes trains park in a tunnel for several minutes before going back into service. During this time the trains are written on. Due to time constraints pull in - pull outs were generally utilized for throw ups. It was one of the more dangerous approaches to writing.

 

RACKING OR RACKING UP: Shoplifting or stealing.

 

RACK: A store where shoplifting can be done.

 

RIDGIE: Subway car with corrugated, stainless-steel sides. An undesirable surface for burners. Ridgies ran on the BMT and IND divisions and were preferred by throw-up artists.

 

SCRATCHITI: A media coined term for the scratchings rendered on to the windows of subway cars.

 

SLANTS: IND R-40 subway cars with slanted face.

 

STEEL: Any type of train. New school term used to distinguish train and wall work.

 

THE SYSTEM: The New York City Subway system

 

STYLE WARS: 1. Competition between artists to determine superior creative ability.

 

2. Documentary film on Hip Hop by Henry Chalfant and Tony Silver.Proved to be an extremely inspirational element for the New School.

 

TAG: (n) A writer's name and signature. (v) The execution of a signature.

 

TAGGING-UP: The execution of a signature.

 

THROW-UP: A quickly executed piece (like Flop) consisting of an outline with or without thin layer of spray paint for fill-in.

 

THROWIE: Contemporary term for throw-up.

 

TOP-TO-BOTTOM or (T to B): A piece which extends from the top of the subway car to the bottom.

 

TOY: 1. Inexperienced or incompetent writer.

 

2. A small felt tip marker.

 

UP: Describes a writer whose work appears regularly on the trains or through out the city.

 

WALL PAPER: Repetition of a name written making enough coverage so that a pattern develops, much like wall paper.

 

WAK: Substandard or incorrect.

 

WHOLE CAR: Completly painted subway or train.

 

WILD STYLE: 1. Bronx crew from the 1970s led by Tracy 168.

 

2. A complicated construction of interlocking letters.

 

3. Classic film on Hip Hop culture directed by Charlie Ahearn.

 

WINDOW DOWN: A piece done below the windows of a subway car.

 

WORK BUM: New York City Transit Authority track maintenance worker.

 

WRITER: Practitioner of the art of writing.

 

Taken from NADAONE.COM :lol:

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Guest Pilau Hands
Originally posted by StarzAbove

Mets team is Bunz! At least get a no hitter or something!

it's not really about them being good, cause they haven't really done anything worth mentioning in 4 years...it's just about them being your team regardless.

 

Originally posted by timemachine

gay

haha. get the fuck out.

 

http://www.nadyavolicer.com/assets/Little%20Boxes/images/5cutout.jpg'>

Nadya Volicer

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