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Al Green

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did retard delete a post my forum says he posted last. Im confused.

 

there is a lot of really nice wok here. I would love to see artwork done by previous posters that is not in their typical style, either old work, of since abondoned styles or techniques or Experiments gone awry or otherwise.

 

Just a request. But i would enjoy it. I love to see where folks come from, and other visuall languages they've tried their hand at/in.

although we can let the current additions ride themselves out until we babble back to personal work.

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not that far off the beaten path. But im not over them yet.

 

http://www.vangoghgallery.com/images/sig1.gif'>

 

 

http://www.vangoghgallery.com/graphicworks/images/f_1657.jpg'>

Orphan Man with Top Hat, Drinking Coffee

 

The Hague: c. 15 November 1882

F 1657, JH 266

Technical data

 

Signed on the transfer paper at lower left: Vincent

 

Transfer lithography; black crayon on transfer paper, scraped. All the impressions are printed in black ink.

 

http://www.vangoghgallery.com/graphicworks/images/f_1661.jpg'>

Workman Sitting on a Basket, Cutting Bread

 

The Hague: late November, 1882

F 1663, JH 272

Technical data

 

Signed on the transfer paper at lower left: Vincent

 

Transfer lithography; crayon and autographic ink on transfer paper. All the impressions are printed in black ink.

 

 

http://www.vangoghgallery.com/graphicworks/images/f_1655.jpg'>

 

"Sorrow"

 

The Hague: c. 11 November 1882

F 1655, JH 259

Technical data

 

Signed on the transfer paper at lower left: Vincent

 

Annotated on the transfer paper at lower right: Sorrow

 

Transfer lithography; black crayon on transfer paper, scraped. All the impressions are printed in black ink.

 

http://www.vangoghgallery.com/graphicworks/images/f_1656.jpg'>

Digger

 

The Hague: c. 15 November 1882

F 1656, JH 262

Technical data

 

Signed on the transfer paper at lower left (barely legible): Vincent

 

Transfer lithography; crayon, brush in autographic ink on transfer paper, scraped. All the impressions are printed in black ink

 

 

 

http://www.vangoghgallery.com/letters/sketches/jh_0943.jpg'>

 

Bird's Nest

 

Nuenen: October, 1885

(Amsterdam, Van Gogh Museum)

No F number, JH 943

 

http://www.vangoghgallery.com/letters/sketches/jh_2008.jpg'>

 

Doctor Gachet Sitting at a Table with Books and a Glass with Sprigs of Foxglove

 

Auvers-sur-Oise: 3 June 1890

(Amsterdam, Van Gogh Museum)

No F number, JH 2008

 

vangoghgallery

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picasso prints of drawings.

http://a1259.g.akamai.net/f/1259/5586/1d/images.art.com/images/PRODUCTS/large/10008000/10008324.jpg'>

 

http://a1259.g.akamai.net/f/1259/5586/1d/images.art.com/images/PRODUCTS/large/10073000/10073589.jpg'>

 

this ones a lil steamy:

http://a1259.g.akamai.net/f/1259/5586/1d/images.art.com/images/PRODUCTS/large/10032000/10032663.jpg'>

Boobies and sucklation.

 

http://a1259.g.akamai.net/f/1259/5586/1d/images.art.com/images/PRODUCTS/large/10059000/10059648.jpg'>

 

all from : http://www.callihan.com/art/picasso2.html

 

 

AND NOW FOR SOMETHING COMPLETELY DIFFERENT:

 

http://cdecas.free.fr/robots/images/p3.jpg'>

HONDA P3

 

<embed src="http://www.honda-robots.com/media/p3/p3_4_uk.mov" width="180" height="153" autoplay="false" loop="true" controller="true" playeveryframe="false" pluginspage="http://quicktime.apple.com">

 

Here's one of the rare models of an *existing* robot! It is also a model of a human-sized robot, as opposed to all of my anime giant robots models.

The P3 is part of the "Humanoid Robot" development program from Honda.

This version (P3 stands for "Proto-3") was the last prototype before the development and release of the world-famous ASIMO, the first consumer market humanoid robot.

I own this P3 model, but i haven't built it yet. I also own a P2 model, already built. I should make a picture of the P2 and create a Honda robots page...

 

 

http://cdecas.free.fr/robots/images/armor.jpg'>

 

http://cdecas.free.fr/robots/artwork.php

 

Honda P3 again:

http://www.honda-robots.com/images/content/p3/eyecontact3.gif'>

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themedic.. ..you must bless us with some characters... theyre always off the hook..

 

too bad our funtime this summer was so brief...maybe once again when i have more loot and job security to take a midcoast trip.

 

 

all the new additions are super..

keep it coming.

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this guy is worth seeing more of -

 

Bengal

http://www.mykoala.com/w3nis/babble/meka04web.jpg'>

(thank you to whoever posted it initialy)

 

he's got his own "daily" image gallery at conceptart.org that he usually adds to every week or so. Deffinitely look through the archives.

also his site - cafe sale

 

more. . .

 

http://www.cafesale.net/bengal/gallery/couleur/valeria01.jpg'>

 

http://www.cafesale.net/bengal/gallery/misc/robot08.jpg'>

 

http://www.cafesale.net/bengal/gallery/sketch/elizabeth.jpg'>

 

http://www.cafesale.net/bengal/gallery/couleur/vraiment.jpg'>

 

http://www.cafesale.net/bengal/gallery/couleur/floating.jpg'>

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Suehiro Maruo.

 

Thank w3ns for the original post... I think the

one he posted is supposed to be the effects

of Datura... spooky stuff.

 

"Suehiro Maruo is a self-taught high school dropout and former shoplifter who began drawing comics at the age of eighteen. His first work, submitted to the weekly manga Shonen Jump, was promptly rejected. His dark style fantasy dreams didn't fit in the commercialized, mass-market magazines. It took five more years before he started drawing comics again, this time for Ero-manga. Besides trying to make a living out of his talents, it was also part of a quest for artistic freedom. Maruo draws nightmares. In the tradition of muzan-e (atrocity print) woodblock masters of the 19th century, he drew short stories of axe murders, abortion, rape and incest in as much graphic detail as the obscenity codes allowed.

 

But Maruo is not just another "sex and violence" manga artist - he is one of the greatest retro-artists working in the manga field today. His drawings are elegant, and he uses innovative page designs. Today, Maruo's art and stories go far beyond the readers of Ero-manga; his work is sold in deluxe hardback book format, and limited editions of his lithographed prints sell for high prices. He has realized that his work is most powerful and lyrical when he refrains from sex and violence, and so today he is working on a new series for the mainstream manga magazine Young Champion. Maruo's most famous works are 'Planet of the Jap' and 'Mr. Arachi's Amazing Freak Show'."

 

http://www.lambiek.net/artists/maruo/maruo.jpg'>

 

http://www.lambiek.net/artists/maruo/maruo2.jpg'>

 

Leila Marzocchi

(b. 1959, Italy)

 

"Leila Marzocchi is an active illustrator and cartoonist. Leila began her professional career in 1985, illustrating for various magazines. In 1990, Marzocchi started drawing manga for Kodansha magazine. She has also illustrated children's books, designed t-shirts and drawn storyboards for short films. More recently, Marzocchi published 'Bagolino Monogatari' and 'Il Sogno Di Bedo'."

 

http://www.lambiek.net/artists/marzocchi_l/marzocchi_leila.jpg'>

http://www.lambiek.net/artists/marzocchi_l/marzocchi_sognodibedo.jpg'>

 

Pedro Massano

(Portugal)

 

"Pedro Massano was one of the artists of the magazine Visão, a satirical periodical that was very successful after the Portuguese Revolution of April 25, 1974. Massano's oeuvre is vast and varied, including humor, like his work for Mosca and Diário de Lisboa, and shockingly realistic commentary, like 'O Abutre' and 'Passarinhos'. Because of the variety of his style, both humorous and realistic, Massano's work is appreciated by adults as well as children.

 

Pedro Massano proved himself a master in dramatics in his comic about João Brandão, the mythical criminal of the 19th century. At the moment, Massano is working on his ambitious project 'A Conquista de Lisboa', a historical comic about a key period in the formation of Portugal."

 

http://www.lambiek.net/artists/massano_pedro/massano_p_comboiodoouro.jpg'>

 

http://www.lambiek.net/artists/massano_pedro/massano_p_angola71.gif'>

 

Mike Saenz

(USA)

 

"Mike Saenz was the artist of the revolutionary comic 'Shatter' in 1988. This was the first comic created entirely on a computer. An innovative breakthrough for both comics and computers, 'Shatter' attracted widespread media attention and set sales records for an independent comic. Energized by its success, Saenz continued breaking digital ground, melding comics and computers. He developed Comic Works, the first computer program for creating comics. His 'Iron Man: Crash' was the first computer drawn graphic novel. Saenz returned to the comics field in 1994 with another breakthrough. 'Donna Matrix' was the first digitally created comic. Prior to his computer comics, he was present in Eerie."

 

http://www.lambiek.net/artists/saenz_mike/saenz_mike_eerie1980.jpg'>

 

Alain Saint-Ogan

(1895 - 1974, France)

 

"Alain Saint-Ogan, the son of a newspaper editor, started his career in 1913, when some of his drawings were published for the first time. He served in World War I, and became a cartoonist and newspaperman after his return. In 1925 he created the comics strip 'Zig et Puce', for the French weekly Dimanche Illustré. It was an instant success. This series featured also a penguin called Alfred, whose character became a popular mascotte, which was even taken by pilot Lindbergh in his famous plane Spirit of St-Louis, when he was the first to cross the Atlantic Ocean. "The Alfred" is now the most coveted prize given at the French Angoulême comics festival. In the 1950s, the series 'Zig et Puce' was taken over by Greg.

 

Saint-Ogan continued with a number of other comic features, such as 'Mitou et Toti', 'Prosper l'Ours', 'Monsieur Poche' and 'Touitoui'. Apart from creating comics, Saint-Ogan wrote, illustrated and became the editor of children's magazine Benjamin in 1941. During World War II he was active in the Resistance, and afterwards he went on to host a radioshow and became a TV-producer, as well as a writer of several novels and two memoires. He retired from his activities during the 1960s, and died in 1974.

 

Alain Saint-Ogan is widely recognized as the artist who gave a fresh impetus to French comics, introducing an art-deco-look which has inspired countless artists, including the famous Hergé. In 1967, Saint-Ogan was the first cartoonist ever to be honored by having his effigy coined on a medal."

 

http://www.lambiek.net/artists/saintogan_a/saintogan2.jpg'>

 

http://www.lambiek.net/artists/saintogan_a/saintogan.jpg'>

 

http://www.lambiek.net/artists/saintogan_a/saintogan_alain.jpg'>

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All from a long lost childhood...

 

I looked up him as a child

http://images.amazon.com/images/P/0394873742.01.LZZZZZZZ.jpg'>

I enjoyed watching babar as a little one

http://www.collectorsprints.com/images/babar/generalcornelius-full.jpg'>

http://imagecache2.allposters.com/images/19/BABAR7.JPG'>

I distinctly remember having a few sesame street ones, cookie monster being the one I held dearest.

http://homepage.mac.com/knarley/.Pictures/weebles.gif'>

As a child these were so fresh, back before they suddenly became a designer fashion.

http://www.drjays.com/images/product/360x450/LA015_N000.JPG'>

http://www.lordotrings.com/images/movies/hobbitbig.jpg'>

I had pictures of the animated Lord of the rings, but the links are broken.

I distinctivley remember one scene where gollum had fallen into the snow, I also had some type of lord of the rings book, it was hard back, and had beautiful art throughout it, unfortuantly my memory of what it was exactly has faded.

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Guest THEMEDIC
Originally posted by Al Green

themedic.. ..you must bless us with some characters... theyre always off the hook..

 

too bad our funtime this summer was so brief...maybe once again when i have more loot and job security to take a midcoast trip.

 

 

all the new additions are super..

keep it coming.

thanks Al...

that would be nice if you could make it out here agian...

http://img7.photobucket.com/albums/v21/eaker/blueboy.jpg'>

http://img7.photobucket.com/albums/v21/eaker/teddybear.jpg'>

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Guest chicken bone

I want thermo optic camo!!! That looks bad ass.. All I have to do now is figure out how I can become a robot so I can Ghost In The Shell it out Shirow style.

 

I bet you the US has already bought that guy out and they're going to fit a special unit with that stuff but it'll go terribly wrong and they'll actually dissapear into another dimension and the project will lose funding and get shut down top secret only to be unearthed several years later in a secret declassified document. And then it will be turned into a Jean-Claude Van Damme movie (his ticket back to stardom). But was he ever that famous? Where art thou, Jean-Claude? My pussy-footed kickboxing fanny prince?

 

Bobbylocks, check your G-Mail. We are gangsters.

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