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NC graf.


SEANO-WHO27

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I doubt that the people I most want to reach with this thread care much about history or the way events converge to create change. Graffiti itself to many who do it is a reckless, rampaging "fuck you" to anyone watching or listening, so the idea of using foresight and intelligence to make life easier for yourself or others is a foreign one. Despite this, I'm going to throw my thoughts out there for people to chew on. This isn't a sermon, just something to think about.

Make no mistake, these are the good old days of freight graffiti, the years everyone in the game will remember most fondly: for their chillness, the names, the styles, the feeling of being part of the next big wave of rolling canvases since the suppression of the NYC subways. Did anyone doing trains in 1980 suspect they had less than ten years till the scene died down to almost nothing?

What did it take to kill the New York subways? A bunch of factors converged. A couple of mayors harping on "quality of life" issues. Public ignorance of how the scene worked was a bigger factor than anybody gives it credit for, in my opinion. The public made no distinction between piecers with a vision, like Dondi, and gangs whose thing was busting out subway windows and fucking with passengers. They were all lumped together as one big "bad element", and dealt with by people with that mentality.

What will it take to kill the freight scene? "Critical mass", a bunch of factors converging, some of them seemingly unrelated. First of all, it will take years, although I think we have less of those than everyone else thinks. Also, it will be a death by degrees - it's not that there will be a day when nothing will run, it will just be harder to get over, and harder to find a spot where you have time to do more than small stuff.

Everything plays a role in achieving critical mass. Painting over numbers on freights. Bombing engines. Leaving cans for workers to trip over. Increased general security after 9/11, especially regarding chemical/hazmat shipments and bulletins to workers to be alert for suspicious persons. Innovations in trespasser detection technology, and a drop in price in this equipment, such that yards get much harder to work with. Continuing capitalist philosophy that property is worth more than people ensures the hiring of more security personnel and the building of more fences, lights, cameras, etc. at layups as well as yards. Pissed off railfans forming watch groups in league with the railroad companies themselves, for a more "community policing" approach to dealing with writers, burglars, and random vandals and trespassers (who, again, are often lumped together as all the same in the eyes of the property owners). Independent companies offering fast turnaround and low cost on buffing/restamping painted cars (this is already happening).

The swing vote will be railroad workers when it comes to the life or death of the scene. They are the guys most likely to discover writers or their spots, and they have the power to let it slide or report it and put heat on the spot and the scene. Being nice to workers (in ways that count) is the number one thing any writer can do to delay critical mass. That means staying off the numbers, not painting engines or other RR equipment besides the freight cars, and disposing of your empty cans elsewhere. The empty cans issue is not a "don't litter" thing - it's a safety issue. Workers have to run alongside moving trains and throw a lever to uncouple cars, or mount and dismount moving trains, and they don't need to be landing on round, slippery cans.

Every small thing you do that you hear freight heads advising against contributes a little bit toward critical mass. I hear all kinds of excuses. "Well yards out here are already burnt so why not hit engines." You might not notice a difference in security in your area. But you are having your effect. Workers, railfans, management, internet toys are all paying attention. If one worker gets killed tripping over a paint can and falling under a train, that one incident will do a lot of damage, create a lot of anger. If enough company logos on engines disappear beneath pieces, railfans will start banding together with RRs to police spots better. Toys come on the Net and see stupid behavior and copy it, heating up more and more spots from the city to the cuts. They might also pay too little attention to yard/train safety and get killed trying to paint, which could spark some reporter doing a "spotlight" story on kids and freight painting that gets play. (I'm still waiting for a movie or book to drop which blows up the scene by portraying it fictionally.) All of this shit contributes to critical mass.

I think some heads secretly want the scene to be much harder in a few years, so they can enjoy their "back in the day" king status, like the subway kings can now. Others, like me, would rather spread the word about how to make it last longer. I'm not one to tell people what to do without offering logical reasons - "you shouldn't hit engines or go over numbers" - I'd rather make people aware of the consequences, and let them make their own decisions. I know I'll do what I can to delay critical mass. I hope others can see their own role and make an informed decision about how to handle their spots and situations.

 

Stolen from another thread.

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