Well I stand by my comments that there is.
The whole point of graffit being on a Tube is the story that went behind it, not just the end product. The pressure, the rush...and the result acheived in spite of it.
In the same way that I look at legal walls in a different light to illegal ones. I appreciate the legal stuff because these days it blows my mind but we all know they had good light, plenty of time and some cold beers to get the job done. Different to ripping the arse out your jeans through gaps in fences, struggling to see what you're doing and having one ear open for any unwanted company.
And people knock writers for painting scraps, surely painting a scrap legally is one step beyond...?
